![]() ![]() Holding the HOME/GLOBAL BUTTON enters the Global Setting. Signal block indicator presents current status, and helps you quickly engage/bypass or edit related effects. The 5-way encoder navigates lets you for quick editing, signal block routing, jack setting, and more. Intuitive user interface with a large colorful LCD lets you get rid of reading manuals. MG-30 has super wide dynamic range ~ 110dB ! With 2 powerful NXP® RT processors, MG-30 drives 1024 samples Impulse Response resolution with ultra-low system latency to give you tight and fast response.Ģ premium AD/DA AKM AK4558EN 32-bit 2 channel audio CODECs realizes "high quality sound performance". And now, the MG-30 provides you better defifinition from HD to 2K ! It offers you realistic amp response and playability. Since we announced MG-300 the best-budget compact modeler on the market ever-people started noticing our TSAC-HD (White-Box) Modeling Algorithm. ![]() *Note: You can customize MIDI CC (for Stomp FX on/off) through QuickTone™ edit software. USB: Audio Interface, QuickTone™ Editor, Firmware Update, MIDI So the delay and reverb has trail when you disengage it. ![]() *Note: Why doesn't MG-30 offer Stomp Mode? With the NMP-2 and CTRL, you can remote 3 signal blocks as stomp application. The EXP1 can be used with expression pedal or with NUX NMP-2 to remote signal blocks. You can adjust the SEND / RETURN Loop at any position in the signal path. The versatile I/O can let you run 4 cable method or connect with other effects. USB recording interface, firmware update, QuickTone™ edit software. Ultra-low system latency(2ms) and 2 powerful DSPs.Ĭomes with NMP-2 for external foot control. Versatile application scenes and global settings. Connect the output of your modeler to the effects return of your amp (cable 4).11 Independent moveable signal blocks with optional parallel post-efx routing.ġ024 samples IR resolution and 3rd party IR loader slot with each user patch.Connect the effects send of your amp to the effects return of your modeler (cable 3).Connect the effects send of your modeler to the input of your amp (cable 2).Connect your guitar to the input of your modeler (cable 1).Arrange you signal chain in your modeler so that the effects loop insert is at the point where everything before it will go in front of your amp and everything after will go directly to the power amp.2 you can see a diagram of how to hook everything up. In this arrangement, you’re able to run all your compression and drive pedals directly into the preamp and move all your modulation and time-based effects to after the preamp. This is where the “4-Cable Method” comes in. Here’s a scenario: You want to use your modeler simply for effects alongside your trusty tube amp, but you don’t want to run everything in front. ![]() The easiest way to combine digital control with analog pedals is to take advantage of the effects loop. The one caveat is that the quality of the result is only as good as your engineering skills, which is why a cottage industry of purchasable, professionally made profiles has popped up. With a simple recording setup, you can get extremely accurate versions of your prized-and fragile-tube amp and leave the original at home. This is really the defining feature of these units. On the other side of things, you have Kemper and Neural’s Quad Cortex, which allow you to “profile” or“capture” digital versions of your amps and effects. (The Axe-Fx III has an incredibly powerful ToneMatch feature, but that’s more based on deep customization of a pre-existing amp.) Both offer regular firmware updates with new amps, cabs, effects, and features. The Line 6 Helix and Fractal Axe-Fx units (and their various spinoffs) are what I consider closed systems, because you can’t create an entirely new amp model within their space. One of the bigger conceptual things to think about when choosing a modeler is the difference between an open ecosystem and a closed one. ![]()
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